Delhi NCR · Pan-India · Destination Weddings

37 Questions.
Honest Answers.

Everything you wanted to know about wedding cinema — and a few things you didn't know to ask.

4+ Weddings 5★ Google Rated Est. 2019 Cinematic Photo + Film
Section 01

For Couples Planning Ahead

Booking Intent

The questions every couple asks before they sign. Answered without spin.

The best studios in Delhi NCR are typically booked 10–14 months before the wedding date — not to create pressure, but because they genuinely limit how many weddings they take each year.

For wedding season (October–February), the best teams fill up by January of that same year. If your wedding is November 2026, reaching out in January 2026 is not too early — it's exactly right.

Couples who wait 4–5 months before their wedding are usually left choosing between studios they don't love and studios that are available because nobody else wanted them.

At WedPic Studio, we keep our calendar intentionally small so every film gets the time and attention it deserves. Once those dates are gone, they're gone.

Watch how they talk about past couples — not the portfolio, but conversation. Do their eyes change when they describe a father's face during the vidaai?

Ask to see a full film, not a reel. Anyone can edit four great minutes. A full wedding film shows how they handle three hours of waiting, bad light, and delayed ceremonies.

Notice what they ask you. A studio that asks more questions than you do — about your family, your rituals, what moments matter most — understands this is your story, not their portfolio addition.

Check the audio. Play any wedding film with your eyes closed. If you can't hear the vows clearly, the visuals don't matter.

At WedPic Studio, our first call is never about packages. It's about you.

Honest market overview for 2025–26:

Budget (freelancers): ₹50,000 – ₹1,20,000 · You get footage. You may or may not get a film.
Mid-range (established studios): ₹1,25,000 – ₹2,50,000 · Better equipment, more consistent editing.
Premium (storytelling studios): ₹2,50,000 – ₹5,00,000 · Crafted films, professional audio, dedicated team.

WedPic Studio sits between ₹1.5 lakh and ₹4 lakh depending on scope.

Most couples don't think about this: editing a 3-day Indian wedding film to the point where it genuinely moves you takes 80–120 hours after the wedding. You're not paying for two days of filming — you're paying for the six weeks of quiet, obsessive work that follows.

A wedding cinema team arrives before the bride has finished her makeup and leaves after the last guest hugs goodbye — 12–16 hours on their feet, carrying 15–20 kg of equipment, making thousands of micro-decisions while being invisible enough that real emotions happen in front of them.

Then the real work begins. Footage from a 3-day wedding runs 8–12 terabytes. Sorting takes days. Colour grading each shot takes hours. Layering audio — vows, speeches, ambient sound, music — takes craft. Editing it into a film that makes your mother cry six months later takes work that cannot be rushed.

Equipment: ₹15–25 lakhs to assemble. Years of training. Backup systems. The peace of mind that the most important day of your life is not entrusted to someone learning on the job.

The flowers die by Monday. The film stays forever.

What a proper package should include — and what to ask about specifically:

Pre-production: Time spent understanding your family, rituals, and what matters most before the day.
On the day: A cinema team — dedicated operators, not one person with multiple cameras.
Audio: A dedicated lav mic on the groom. Clean dialogue during vows. Ask every studio about this specifically.
Deliverables: Feature film (8–15 min), highlight reel (2–4 min), ceremony film. In 4K.
Turnaround: 8–14 weeks. Two weeks is a red flag — ask how.
Backup: How many copies exist during editing? What if a drive fails?

At WedPic Studio, every package begins with a conversation, not a brochure.

An Indian wedding is not one event. It's five or six events compressed into three days, each with its own light, emotion, and energy.

Single function: Minimum team of two.
2–3 functions: Three to four people — two cinema operators, one audio/BTS, one photography lead.
Full multi-day wedding: Minimum four to five professionals on key days.

The logic: at the pheras, the bride is doing something, the groom is doing something, the parents are doing something, and a grandparent in the corner is doing something that will make everyone cry in the film. One camera cannot be in four places.

At WedPic Studio, we customise team size to your wedding specifically — not to a package tier.

One studio that does both, or two separate specialists. Never one person trying to do both simultaneously.

The person thinking about storytelling and audio cannot simultaneously think about still composition and the decisive moment. These are different disciplines — asking one person to do both is asking a violinist to simultaneously play piano.

Photography or cinema — which do you prioritise? In ten years you will watch your wedding film far more often than you flip through an album. Still photographs are beautiful. But the film is where you'll hear your father's voice, see your partner turn as you walk in, and remember exactly how your heart felt.

At WedPic Studio, we are a cinema studio. We have trusted photography partners for couples who want both disciplines done with equal seriousness.

These are the ones that actually tell you the truth:

"Can I speak to a couple you filmed — not just watch their film?" A portfolio shows best work. A conversation with a real couple shows what the experience actually feels like.

"Who specifically shows up if your lead filmmaker is sick?" The name. The portfolio. The specific person.

"Show me a full film — not a highlight reel." Four minutes can look magical. A 12-minute film shows how they handle the difficult moments.

"Who handles your audio?" The fastest way to separate professional studios from everyone else. If the answer involves hall speakers or camera mics, the vows will sound like they were recorded through a pillow.

"What is your actual delivery timeline — and what if you're late?" 8–14 weeks is honest. 2–3 weeks is a red flag.

Your date might still be open. · Check availability at wedpicstudio.com →

Section 02

The Heart of It

Emotion & Story

Why great wedding films feel different — and how they are made.

Not the camera. Not the drone shot. Not the slow-motion sequence that every studio uses.

Cinematic is a feeling — and the feeling comes from one thing: intentionality. Every frame existing for a reason.

It has structure — a beginning that pulls you in not with a wide drone shot, but with a feeling. A pair of hands. A voice. A single breath before something begins.

It has contrast. The chaos of a baraat and the stillness of a father watching his daughter walk away. Cinema is built on contrast.

It has sound as deliberate as the image — the shehnai from a distance, the clinking of bangles, the muffled conversation between a bride and her best friend.

And it has restraint. The willingness to cut the beautiful shot that adds nothing. The confidence to let silence exist.

Because your nervous system knows the difference between performance and truth.

When someone is posed, the smile is constructed. It looks good. It does not feel true. When someone is filmed in a genuine unguarded moment — turning to their partner during a ceremony, laughing unexpectedly, reaching for their mother's hand without thinking — the image carries something that cannot be manufactured.

Psychologists call this emotional contagion. When we see an authentic emotional expression, our mirror neurons activate the same emotion in us. That's why you can watch a stranger cry in a film and feel your own throat tighten.

The best candid moments are not accidents. They are the result of a filmmaker who has made themselves invisible enough that people forget they are being filmed.

After filming hundreds of Indian weddings, these consistently produce the emotional core of a film:

The groom seeing the bride for the first time — the private moment when the door opens. Whatever is on his face in that second can never be recreated.

The father's face — not his speech. The moment before and after. When it is over and he is standing slightly apart from everyone, quiet.

The mother adjusting something — a dupatta, jewellery, a hair strand. This small act of service is a whole language of love.

The moment between siblings — a shared look or laugh that the rest of the room doesn't quite catch.

The last moment before she leaves — the threshold. The exact second her foot crosses from her childhood home.

At WedPic Studio, we talk to every couple about their family before the wedding — so we know whose face to find.

Because couples who grew up watching real filmmaking have developed a taste for what genuine looks like — and they can feel the difference.

The highly choreographed films of a decade ago — theatrical re-enactments, couples running through fields in wedding clothes — were technically impressive but obviously constructed. They captured what the day was supposed to look like, not what it actually felt like.

Documentary filmmaking asks: what is actually happening here? What is true? For Indian weddings specifically, it works because Indian weddings are already extraordinary. The rituals are ancient and layered with meaning. The emotions move openly across people's faces.

What couples want today is simple: a film that, when watched in five years, makes them feel exactly like they felt that day. Not a film that makes them look good. A film that makes them feel real.

Timeless work is almost always defined by what it doesn't do.

It doesn't follow a preset. The colour serves the emotional truth of the wedding, not a trend board. It doesn't use music that will age — a deeply personal soundtrack belonging to the couple's actual story won't sound like a 2025 wedding film in 2035.

It doesn't overcomplicate what is already complete. A grandmother's hand holding a bride's hand needs nothing added — no slow-motion, no music swell, no vignette. Just the moment, held long enough to feel.

At WedPic Studio, the question before every edit is not: what are the best studios doing right now? It is: what does this wedding feel like — and how do we preserve that feeling, not translate it through a trend?

Because they were made to look impressive rather than to feel true. Specific ways this happens:

Re-enacted moments — the couple asked to walk toward each other multiple times. Visually beautiful. Emotionally hollow.

Music that does all the emotional work — borrowed emotion. A truly felt film should move you even with the audio muted.

Excessive post-processing — when skin tones are removed and contrast is so high that faces lose texture, footage stops looking like real life.

No quiet moments — a film that is relentlessly beautiful begins to feel exhausting. Real life has pauses.

The couple looking uncomfortable — the most honest tell. If the people at the centre appear self-conscious, the film has already failed.

At WedPic Studio, we don't direct couples. We wait for what is real.

They mostly don't capture real emotions. They create conditions in which real emotions are likely to happen — then they are ready.

Relationship: Couples who trust their cinema team behave naturally around them. Building that trust happens before the wedding — in conversations, in a pre-wedding shoot. At WedPic Studio, we spend real time with every couple before the day. Not for logistics. For familiarity.

Preparation: Knowing the family means knowing who to watch. If someone tells us the groom's father lost his own father recently — we know to find his face during the traditional rituals.

Patience: The most powerful moments almost never happen during formal portions. They happen in the five minutes before the ceremony starts. In the corridor. Between events, when people forget nothing important is happening. The team that understands this waits for the margins.

Better question: is staged, posed photography the right choice? Because that is the actual alternative.

Candid simply means unposed — images taken in the flow of real events rather than constructed for the camera. It is just honest documentation.

That said, a complete wedding visual record almost always needs both. Formal family portraits, bride and groom portraits, group photographs — these benefit from direction. They are formal records meant to look composed.

But the emotional core of your wedding — the moments you will actually feel when you look at them in ten years — will come from the candid images. The ones where nobody was looking at the camera. Where something real was happening and someone was present enough to see it.
Section 03

For 2025–26 Couples

Modern Indian Weddings

Trends, timelines, locations, and the decisions that matter most right now.

Film grain and analogue-inspired editing — warmer, more textured images that feel like memory rather than documentation.

Sound design as storytelling — ambient sound, ceremony audio, speech fragments layered with the same care as visuals.

Less drone, more intimacy — the aerial establishing shot is now visual filler. The best work pulls the camera closer, not higher.

Multi-day storytelling — treating the entire wedding as one narrative arc rather than separate highlight reels per function.

Letting weddings be Indian — unapologetically Indian colour, noise, density of emotion, and the particular chaos of a 200-person family wedding.

At WedPic Studio, we follow none of these trends for their own sake. We follow them when they serve your specific wedding.

Everything else you spend money on at your wedding is perishable. The food is consumed. The flowers die. The décor is dismantled by midnight. The venue is reset by morning. Even the lehenga goes into a box.

The film does not.

A cinematic wedding film is the only thing from your wedding day that can be experienced again. Not remembered — experienced. You can sit down with your mother, your child, your partner at thirty years of distance and actually hear the voices, see the faces, feel the room.

Is every cinematic wedding film worth it? No. A film made without craft will be watched once and forgotten regardless of what it cost. The investment question is really a quality question.

At WedPic Studio, we have had couples tell us their wedding film is the most watched thing in their home.

The question contains an assumption worth examining: that Indian weddings are too big, too loud, too choreographed for an observational approach.

The opposite is true.

Indian weddings are one of the few remaining cultural events where genuine collective emotion is not only permitted but expected. Families weep openly. Elders bless with visible reverence. The rituals are ancient and carry weight that is felt in the room. None of this needs staging. All of it needs witnessing.

Documentary filmmaking is simply the discipline of witnessing well — being close without intruding, staying present without directing, understanding the events well enough to know where to look before something happens.

It requires one thing above all: trust. And then it simply shows what was real.

These terms are used interchangeably and they should not be.

Candid wedding video = a style of capture — unposed, observational. Describes how footage is gathered.

Cinematic wedding film = a style of production — how footage is crafted into a final piece. Involves intentional editing, structure, sound design, colour treatment, narrative arc. Describes how footage is assembled.

The best work combines both: footage gathered candidly, assembled cinematically. Genuine moments, crafted into a film with emotional architecture.

The confusion comes from studios that use "cinematic" to describe drone shots and colour presets. A drone shot is not cinema. Cinema is story.

At WedPic Studio, we capture candidly and edit cinematically. These are not contradictory — they are exactly the combination you should look for.

The practical answer and the real answer are different things.

Practically: You get comfortable portraits outside the chaos of the wedding day — for invitation cards, save-the-dates, wedding walls.

Really: A pre-wedding shoot is the single best thing you can do to make your wedding film better.

On the wedding day, every couple is slightly uncomfortable in front of the camera for the first hour. The adjustment takes time. Couples who have spent time with their cinema team before the wedding arrive on the day already comfortable — the three-hour adjustment doesn't happen because there is nothing to adjust to.

The result: a film where genuine moments begin appearing in the first hour rather than the third.

At WedPic Studio, pre-wedding shoots are part of our broader relationship with couples — not a separate commercial transaction. We want to know you before the day. Your film will show that we did.

Honest answer: 8–14 weeks for work that is actually crafted. Anything shorter should prompt a question about what is being skipped.

What happens between the wedding and delivery: footage ingested, backed up in triplicate, and logged (2–3 full working days). Selection of moments worth building around. Rough cut (60–80 hours for a feature film). Colour grading — each shot individually. Sound design — ambient audio, ceremony recording, music, dialogue. Review, revision, final delivery.

If a studio promises two to three weeks: they're outsourcing the edit, using a template, or have extremely few other weddings. The first two should concern you.

At WedPic Studio, we are honest about timelines from the start. We'd rather give you a real date than a hopeful one.

More important than the visuals. And almost nobody talks about it.

The visuals are why people share a wedding film. The audio is why they cry.

Hearing your partner's voice crack during the vows. Your father's speech breaking midway through. The pandit's chanting with the crackling of the sacred fire underneath it. The sound of 150 people going absolutely silent when the bride enters.

Professional audio requires: a dedicated lav mic on the groom, a directional microphone near the ceremony, a second operator monitoring audio, quality in-camera audio as a safety net.

When this isn't planned — when audio is lifted from hall speakers or a camera 15 feet away — the film sounds like it was recorded through a door. No colour grading will fix that.

At WedPic Studio, audio is discussed in our first meeting with every couple. Because the sounds of your wedding day happen once. If we don't plan to capture them, they are simply gone.

Lodhi Garden — golden hour through 15th-century tomb gardens. The most reliably beautiful urban location in Delhi. Early morning is the window.

Humayun's Tomb — scale and warm sandstone texture in afternoon light that's particular to Delhi.

Hauz Khas Village — for couples who want something contemporary. The medieval reservoir meets urban village energy.

Neemrana Fort Palace (100 km from Delhi) — true grandeur for couples who want the epic scale of Rajasthani architecture.

Champa Gali / Shahpur Jat — intimate, textured, urban. Walls, doorways, natural light, the visual character of South Delhi.

Jim Corbett / Rishikesh — forest and river for couples who want nature. Cooler seasons only.

The location should follow the couple, not the other way around. The right location is the one that makes you feel at home.
Section 04

Before You Sign

Trust & Authority

The professional questions that protect you and your footage.

Any studio that cannot answer this in specific technical detail should not be trusted with irreplaceable footage.

A professional backup workflow: footage from all cameras is offloaded to at least two separate storage devices that evening — not the next day. Memory cards are never reformatted until backups are confirmed.

During editing: primary drive + at least one external backup + a cloud backup offsite. After delivery: master files retained for a defined period (typically 6–12 months).

Hard drives fail. Memory cards corrupt. These are statistical certainties across enough weddings. The protections are invisible when everything works — and the difference between recoverable and irreversible when something doesn't.

Ask specifically: what is their on-day backup process? How long do they retain masters after delivery? Vague answers mean the system doesn't exist.

At WedPic Studio, our backup protocol is documented and discussed with every couple before the wedding.

Ask this question. The answer tells you everything.

A professional studio's response will be immediate and specific: a named associate cinematographer — not "we have a network." Not "don't worry, we'll handle it." The name. The portfolio. The specific person.

This person knows the booking, has access to the shot list and brief, and can step in seamlessly. At WedPic Studio, every booking has a named backup from the day the contract is signed — a specific person with a portfolio you can review.

Illness is not the only risk. Accidents happen. Family emergencies happen. A studio with no named contingency has accepted a risk that you, the couple, should not be the one absorbing.

You should not only be able to — you should insist on it.

A highlight reel is a studio's best four minutes from their best wedding. It will always be beautiful. It was selected specifically to impress people who haven't booked yet. It is a marketing instrument.

A full wedding film — 10–15 minutes — is where the truth lives. It shows you how the studio handles the ordinary minutes between extraordinary ones. Whether pacing holds. Whether audio quality sustains.

Ask for a film from a wedding that was not a perfect day — bad light, late ceremony, a hotel ballroom with fluorescent lighting. How a studio performs when conditions are against them is far more informative than when everything is ideal.

At WedPic Studio, we always show full films — and we're happy to share the ordinary days as well as the exceptional ones.

Indian wedding functions happen in environments designed for parties, not filming. Sangeets with coloured moving lights. Ceremony mandaps lit directly overhead. Reception venues alternating dark dance floors and bright stage areas.

Professional cinema teams adapt to all of it:

For low-light environments: dedicated LED lighting positioned to fill faces without appearing in frame. For ceremony spaces: fast prime lenses that gather light rather than needing it added. For the unpredictable chaos of a sangeet: deep expertise in exposure and colour correction to recover footage an inexperienced operator would discard.

Beyond equipment: experience matters. A team that has filmed 200 Indian weddings has seen every lighting situation that exists. They anticipate rather than react.

Ask any studio to show you footage from an indoor night function specifically. That footage will tell you exactly what they can do when conditions are against them.

Yes — and destination weddings are some of the most meaningful work we do.

When a family travels to Udaipur, Jaisalmer, Rishikesh, or a beach in Goa, the concentrated time that families spend together creates a particular quality of intimacy that a city wedding rarely achieves. This deserves a cinema team that travels with your wedding, not one hired locally at the destination.

Local teams don't know you. They haven't built the trust that produces the footage you actually want.

We travel across India — Rajasthan, Himachal, Uttarakhand, Goa, Kerala — and to international destinations where the project warrants it. Travel costs are calculated transparently and included in the final quote. No surprises.

What we ask couples to consider: is saving on travel costs worth the difference in the film you will receive? Most couples who think it through choose continuity.

A complete WedPic Studio delivery includes:

Feature film — 10–15 minutes. The primary cinematic telling with narrative structure, professional audio, and full colour treatment.

Highlight reel — 2–4 minutes. For sharing on Instagram, WhatsApp, with family who can't watch the full film in one sitting.

Ceremony film — a continuous record of the main ceremony including full vow exchange. The document. The feature is the art. You want both.

Delivery format — 4K master files via secure download link.

One round of revision — a defined window for requesting changes before final delivery.

Watch out for: packages that deliver only a highlight reel and call it a wedding film. Compressed formats that won't look good on a large screen in ten years. No defined revision process.

Ask for the full list in writing before you sign.
Section 05

The Questions Nobody Asked

But Should Have

Seven things that matter enormously and almost never come up in a booking conversation.

Instagram is the worst possible tool for this decision — and it is how almost everyone makes it.

Every studio on your shortlist looks incredible on Instagram. That is the entire point of Instagram. It tells you almost nothing useful.

How to actually narrow ten to one:

Watch full films, not reels. Ask each studio for a complete wedding film and watch it in full.

Talk to past couples. Ask one question: "Would you book them again?" The answer and the hesitation before it tell you everything.

Compare how they respond to enquiries. Is it personal? Does it ask anything about you? Or is it a price list sent by someone who didn't read your message?

Meet them before you decide. The person beside you on your wedding day — present for the most private and emotional hours of your life — should be someone you genuinely like. Book the studio you would actually want in the room.

A wedding highlight video is a promotional format — 2–4 minutes of the best-looking footage, cut to music, designed to be shared quickly. Effective for what it is. Not a film.

A wedding film is a narrative piece. It has a beginning, middle, and end. It uses footage as raw material for a story — not a collection of beautiful moments but a sequence that builds toward something emotional. It has structure, pacing, intentional sound.

The confusion happens because studios frequently describe highlight videos as films — because "film" implies more skill and value.

Ask directly: what is the runtime of the main piece you deliver? What is the narrative structure?

A studio that describes their feature film with genuine specificity — structure, emotional arc, how they decide what to cut — is actually making films. A studio that describes their "film" in the same language as highlights is making videos and calling them films.

The answer is not in the portfolio. The portfolio tells you about quality of past work. It says nothing about whether this team will understand what is specific to you.

The fit is in the conversation. What to notice:

Do they ask questions about your wedding before sending a price? A studio that leads with packages sees weddings as inventory. A studio that asks about your family, rituals, and what matters most is trying to understand your story.

Do they remember what you told them? If you mention the groom's grandfather recently passed away and the studio returns to that detail in a follow-up — they were listening. That listening produces the footage you need.

Do you feel comfortable being quiet with them? The most important footage in your film will happen in moments when you've forgotten the camera is there. If you're slightly uneasy around the team, that forgetting never happens.

At WedPic Studio, the first call should be you deciding if we're right for you — not the other way around.

For private delivery — films not uploaded anywhere public — you can use virtually any music you love. The film is yours.

For sharing on social media — Instagram, YouTube, Facebook — platforms have automated content recognition systems (Content ID on YouTube, Rights Manager on Instagram) that identify copyrighted music and will mute, restrict, or remove your video. This happens automatically, regardless of context.

The solution: At WedPic Studio, we maintain a library of licensed music cleared for social use — many pieces emotionally powerful and chosen specifically for Indian wedding narratives. We also work with original composition for couples who want a score entirely specific to their film.

If you have deeply personal music, we'll make it work for the private version. The social version may need an alternative. We'll be honest about this before the edit begins — not after.

There is no universal right number. There is only the number that reflects how much this matters to you.

A framework more useful than a price range: think about what portion of your wedding budget goes to things that will exist after the wedding. The lehenga: worn once, boxed. The venue: rebooked next week. The flowers: wilted by Sunday. The catering: consumed and gone. The film: permanent.

In a wedding budget of ₹25–30 lakhs — approximately average for a Delhi NCR wedding in 2026 — couples commonly spend ₹3–5 lakhs on decoration alone. Decoration that will be photographed a few times and dismantled.

Spending ₹2–3 lakhs on a cinema studio that produces a film you'll watch for the rest of your life is not an extravagance. It is arguably the best return-per-rupee investment in the entire budget.

At WedPic Studio, pricing starts at ₹1.5 lakhs and scales with the scope of your wedding.

This conversation happens in almost every family. It's worth having properly.

The challenge: parents who planned weddings twenty years ago remember VHS tapes — three hours of static footage, edited with dissolves, set to film songs. Nobody rewatched those. The analogy feels like spending more on something that already didn't work.

The conversation that actually moves people is not about the product — it's about the feeling. Ask the person who is hesitant: which specific moments from their own wedding do they wish they could see again, not just remember? The answer is exactly what wedding cinema preserves.

For grandparents especially: this may be one of the last major family functions they're physically present for. A great film captures them alive, laughing, blessing, present. A mediocre one doesn't.

For practical family members: a wedding film of genuine quality is the single item in the entire budget with an indefinite lifespan. Everything else depreciates the moment the wedding ends.

The goal is not to win an argument. It is to help them see what is actually being decided.

Download it immediately. Do not leave it only on the delivery link. Download the full 4K file to your computer, an external hard drive, and a cloud service you control. Three copies, in at least two locations. Delivery links expire. Hard drives fail. Cloud services get discontinued.

Back it up separately from your phone. The wedding film is too large for a standard phone backup workflow. It needs dedicated attention.

Watch it together before you share it. Your wedding film is a private thing before it is a public thing. The first viewing should be with your partner — possibly your parents. On a proper screen, with proper sound, with time set aside for it.

Share thoughtfully. For social sharing, use the highlight version — not the feature film. The feature was made for your hard drive, your parents' television on an anniversary, your children when they ask what their parents were like on the day they chose each other.

Return to it on your anniversary. Set a reminder. The film was made to be watched — not archived and forgotten.

At WedPic Studio, our relationship with couples doesn't end at delivery. If you ever need files re-sent or have questions, we are reachable. That is part of what we are.

WedPic Studio · Delhi NCR

Let's tell your story.

Fill the form or WhatsApp us directly. We reply within 2 hours on most days.

💬 Chat on WhatsApp Check Availability
📲 +91 70822 22256  ·  📍 Delhi NCR · Available across India  ·  ⏰ Mon–Sat, 10am–8pm IST